Friday, 18 November 2011

A plea to ebook users everywhere (but especially in the UK)


Every person who either reads, writes or publishes in the UK should know this:

  • The UK government has a declared intention of reducing carbon emissions.
  • The publication of paper books in the UK leads to almost a billion tonnes of carbon emissions each year. Newspapers and magazines each produce more than this.
  • Production and sale of an e-book involves just 3% of the carbon emissions produced by a paper version.

E-books make far more sense in today's world. It takes an enormous amount of energy to cut down and transport trees. It takes more energy to produce the paper, transport it, print it and distribute it. We have to use energy to travel to the shop and buy books, magazines and newspapers and then we have to carry them around to read them. When we've finished with them it takes more energy to dispose of them.

If you were a student which would you prefer to carry - six textbooks or a Kindle? If you like to read on holiday how about carrying an entire library with you? You can do that with an e-book reader.

E-books make environmental sense yet:

The government charges the full rate of VAT on the sale of e-books and e-zines but no VAT on paper books, newspapers or magazines. They say VAT is charged on e-books because 'it's a service.' Apparently the work of the printing industry in making and distributing the words of writers is not.

Every author in the world should be kicking up a fuss about this nonsense. It makes e-books in the UK 20% more expensive and holds back the industry. At a time when students need to cut back on their expenses, the government is making it cost them more if they choose to buy e-books.

Perhaps the government needs the extra tax income? Well authors earn more from e-book sales than from paper books; that means they will recoup the lost VAT in more income tax.

Every author should be pressing the UK government to remove the ridiculous tax on e-books. Let's bring down the cost to our readers, save those dwindling fossil fuels and at the same time help ourselves.

What can you do? There's an e-petition which we should be promoting about VAT on e-books. Please -


Do everything possible to get this petition to the 100,000 signatures level - the point at which it MUST be debated in Parliament. Even if you are not a UK author this still affects your UK sales.

We need to draw attention to this!

Petition to request the abolition of VAT on e-books http://epetitions.direct.gov.uk/petitions/114

Sunday, 6 November 2011

Cover to Cover - How we produced the covers for our book series

If you search the Internet you'll find lots of advice on how to write and also lots about how to get published. Up to now the route has always been:
  • write the book
  • edit it
  • submit it to an agent
    • get rejected
    • submit to another agent
    • get rejected
    • revise the book
    • repeat 'submit to an agent
  • Either give up or self publish or, if you are one of the lucky few, negotiate a contract
  • Agent submits to a publisher.... and so on
Now however E-books have made it possible for many new authors to publish work that would otherwise end in agents and publisher's slush piles. You can test the water by releasing your book as an e-book, publicize it yourself (For how to do that read John Locke's excellent book 'How I Sold 1 Million... ') and then, if there's a demand, produce a paper copy. I wrote an e-book on the process of producing both the paper copy and the e-book version. You can either buy it at Amazon or get it free here.

Somewhere along the line though you'll need a book cover and there the advice stops. Granted there are websites which offer template solutions but most of them leave a lot to be desired and frankly - a book is judged by it's cover.

We've written and published five books so far in our A Vested Interest series and in the hope that our experience will help, here's what was involved in designing the covers.

We wanted the cover of this book to reflect what the story was about so we had to include:
  • DNA to indicate this was about medical science
  • A semi-transparent mechanical bug to show that technology was involved
  • A castle to represent the location Langston Castle in the book and to show there was a bit of history involved
  • An old mine tunnel to represent the secret underground base
Now Shelia and I are not bad at using graphics programs - we picked up that skill when we spent three years as illegal immigrants in Canada, supporting ourselves by building websites. So we took some pictures using a very basic digital camera and started putting together a cover. The actual process I will detail later but here's the result:
The original background image was a picture I took of Blackett Level near Allendale, Northumberland. It was a little overpowering so I faded it out by putting a semi-transparent white layer over the top. Into that I merged a picture I took of Langley Castle and that DNA picture. The 'bug' was inspired by those in the film 'The Day the Earth Stood Still'. On the e-book copy we moved that to the other side. Later we added the Triplet family coat of arms to help identify the book as part of a series.

The plot of this book involved an unpleasant secret buried in the family for almost a thousand years. The secret was revealed in an old diary. To reflect this we created a cover looking like an old book and featuring the coat of arms of the Triplet family. The old book was to be dark colored to reflect the title but when we got the first proof back from the publishers it was almost black. The final version was a lot lighter. For the old book I scanned an old copy I have of Uncle Tom's Cabin and then removed the text. With the aid of my son Adam we created a 'coat of arms' and then turned it and the book cover text gold.

On this one we didn't put the coat of arms on the spine since it was already on the front cover and the spine is much narrower.

Book 3 - No Secrets
No Secrets was very much a continuation of Dark Secrets so we decided to use the same layout. Obviously we couldn't use the same image on the front so chose a Celtic knot instead, symbolizing eternity. Of all the covers it's the one we are least happy with and it may change.

Book 4 - Stones, Stars and Solutions
In this book the Triplets travel the world visiting pyramids and other locations while following clues left in an ancient document. One of the locations is Death Valley, another is the Mayan pyramid at Chichen Itza, Mexico. We started with a black and white picture of Death Valley which we colored dark blue. To that we added the pyramid viewed through a 'window' on the front cover and framed in vegetation from the jungle in Mexico. On the back we added our idea of the power mechanism revealed at the end of the book.
People liked this cover so much they asked if they could use it as a screen background. We obliged with a version without the text, coat of arms or vegetation. Find it here.

Book 5 - Leap of Faith
In this book there's a location Spirit Canyon in Arkansas. It was one of the places mentioned in Stones, Stars and Solutions and also appeared in No Secrets. Spirit Canyon features a stone cabin which you can only get to through a cave and a waterfall. We wanted to show this place on the cover. The problem is that though we know it's location, the actual place doesn't exist so we had to make it with bits and pieces of other pictures.
For a book cover you need high resolution pictures because the file you send to a printer is 5,700 by 3,900 pixels in size although the image I need is 3,510 by 2470 pixels. I start with a template document from the printer. It's actual size depends on the size and thickness of the book. If you use CreateSpace as your publisher this template is worked out for you when you upload the book contents. It can be a little difficult to find but it's there.

Here's what we started with:

  • a picture of a log cabin in Texas
  • A cave in Arkansas
  • A woodland picture in Arkansas
  • A stone cottage near where we lived
  • A picture taken inside the old lead mine at Swinhope Moor, England
  • a blue eye

   ...and here's what we ended up with
In case you wonder, here's where the joins are...

Now this picture is a little busy for a book cover and it's not perfect. I chose to add text with a semi transparent background to hide the imperfections.

Making a cover like this isn't hard. You just need a computer with lots of memory and a decent painting application which can use layers, masks, feathering and  b├ęzier text. The industry standard program is PhotoShop, but there are others such as Corel PaintShop Pro or The Gimp which can do the job and are much less expensive. There are lots of tutorials available on the web explaining exactly how to merge images so I don't plan on explaining this here.

 I'm still not happy with the front and spine text on the cover since although it's fine on a printed book it fails to stand out in the smaller versions used for e-books and at Amazon. The spine text could be made clearer by turning it through 90 degrees but I, for one, hate having to turn my head sideways to read the text on book spines. I'm also a little dubious of the base of the stone cabin which doesn't quite fit on the ground correctly. I probably need to add some weeds here to cover the join.

Now - I've explained how we chose the covers. What are your thoughts? Which cover do you like the best and which do you think we should change?

Update April 2012

We've now added an additional book 'Regret and Retribution'. In this book some of the action occurs on the top of a mountain in Arizona where the characters come under attack by a hostile alien. Fortunately, the alien  takes human or animal form, so I didn't have to come up with what he/she looks like. I used a modified sky scene from Death valley (used already in Stones, Stars and Solutions) and to that added a mountain top scene. The actual mountain used was Helvellyn, a mountain of England's Lake District. In fact I used it twice, once in the background and again, mirrored and stretched in the foreground. On the rear mountain I superimposed a modified picture of  a galaxy. The whole thing was darkened and a faint blue glow was added at the edge of the foreground mountain.. Finally I added the cover text. The trick here is to make sure that it's readable even at a thumbnail size used on Amazon's website. Here's the result:

Update July 2012

Consequences was released at the end of July 2012. It's cover shows a moment when Donna was released from a 'mindstorm'. It's dusk, raining hard and misty. The helicopter searching for her is driving the rain and Donna holds her hair to prevent it lashing her eyes. She spots something on the ground and reaches for it. We used the same mountain top but added storm clouds. The figure of the woman caused a few problems, it's actually made up of four different images. She's making an unusual movement - reaching with her left arm over her right knee. I would have swapped arms but Shelia, who has long hair, told me 'Once you have your wet hair in a strong wind under control, you don't risk letting go.'

Update November 2012

Here's our most recent book cover for 'Ashes to Ashes'. We start this book with the aftermath of an alien possessed woman running wild in the mine complex. Death plays a big part in this book at it's beginning and that is reflected in it's cover
Here's just the front of the book: